Well, I exaggerate a bit but I have been doing a lot of sketching and drawing lately enjoying the freedom to try different things without any preconcieved outcome in mind.
This is one example of those efforts.
A felt pen drawing 8cms x 13cms in size. The landscape is a vineyard near Clarendon, a small town South of Adelaide, South Australia. The area around is somewhat diversified in its agriculture but it is near the wine area of McLaren Vale so vineyards are found here as well.
More of my recent drawings as well as older examples can be seen in my online gallery.
Hope you can visit.
View my etchings lino prints and drawings at my web page /online gallery.
Visit my web page/online gallery to see more of my work
Spent the last couple of days sketching, hoping for an idea for an etching which I can use in an upcoming exhibition with The Red House Group, an artists group I am a member of. I actually think I have possibilities for a linoprint print (with a bit more thought), an couple of etchings and some monoprints. It’s amazing how you can start with an image and begin playing with it, trying to keep an essence of the subject but experimenting with lines and marks to suit your own preferences, and end up with images quite different but still somewhat the same. One of the joys of being an artist.
First series (a couple of early drawings missing) of the landscape near Port Pirie, north of Adelaide. The horizontalness of the place intrigued me.
The second series based on part of the coast at Second Valley in South Australia.
If you are interested in seeing more of my work, both prints and drawings, visit www.martinart.com.au
and follow links to them.
As I have no impending exhibitions to work towards I am continuing my experimentation with various monoprinting techniques. Over the last couple of days I have again worked with using watercolour and non waterproof ink on cardboard plates that I then print onto damp paper using my etching press. I am enjoying the freedom of experimentation. I have been especially exploring the results of using varying degrees of paper dampness as well as how much or how little watercolor and ink affect the result. Some of the results have been pleasingly surprising, the chancy result adding a level of enjoyment to the process. The following are some of the results from the last couple of days. The plate is on the left the printed image on the right.
See more of my drawings and prints at www.martinart.com.au
As part of my recent COAST exhibition of lino prints and etchings I was interested not only in creating images of the coast as it is today but also images that were based on memories of my surfing days. I wanted to come up with a way of creating a sort of direct link with surfing and my wife suggested I use a block of surfboard wax as a relief printing block. Some of my best ideas come from my wife!! This little film records the printing of one of the two wax relief blocks I printed editions from. They and the other prints can be seen on my online gallery at http://www.martinart.com.au/coast-exhibition